Diamond Painting and the Demise of Society

Recently, I've noticed a new type of video in Facebook's Reels (their ripoff of Tiktok): repetitious images of small, colorful, plastic dots being sucked up by and handheld tool and plunked down, row after row, on an adhesive canvas.   The videos have a hypnotic appeal, especially with the sound effects. Today, having nothing else much to do (except laundry, dishes, bill paying, cleaning up after cats and dogs, and worrying about potential demise of democracy on Tuesday, etc.) I decided to learn more about the activity these videos represent called diamond painting. 

I began by Googling "diamond painting" and discovered that there were a large number of retailers from whom I could order diamond painting kits, but Google didn't hold too many hints about the nature of this activity. So it was off to YouTube. My husband always says if you want to find out how to do something, indeed anything, go to YouTube. I began with a video that was titled "Things I wish I'd know when starting diamond painting." The video which was about 12 minutes long was visually an uninterrupted flow of a woman's hands putting red diamonds, one by one, onto a complex, apparently abstract design that was already about one half completed.

The first thing I noticed about this video, and all the others that I watched this afternoon, was that these experienced diamond painters were almost always demonstrating placing the little plastic color chips on their canvas one-by-one, and not in groups of five to ten as shown in the Reels I'd seen on Facebook. Yet even this still had a nice repetitive, hypnotic effect on the viewer. Over this visual a woman with a pleasant voice talked steadily, and easily about the things she wished she'd known which included things like: round vs. square diamonds really didn't matter much, spending money on better tools than those that came with every kit did matter (for example broader sturdier "pens" led to less hand cramping, bigger sorting boxes led to less refills, etc.), the size of the design mattered a lot in terms of detail afforded, and several other points that I forget already. 

I watched at least a dozen different videos (from hundreds that were available on YouTube), produced by five different women. Which leads me to my first observation: diamond painting appears to be primarily a hobby of women. I'm sure there are men who do it, I just didn't see any videos by men in my brief foray into the subject.  I kept coming back to the woman who had produced the first video I saw, because I really enjoyed her voice, and she demonstrated the widest array of types of diamond paintings from quite simple and small, to large canvasses with 277 colors (from a company in Germany). 

My second observation is that diamond painting involves a lot of highly repetitive and actually soothing activity. It seems to be pretty low stress, repetitive, calming, requiring only modest skill levels, hand/eye coordination, and dexterity. I probably couldn't do it because I suffer from essential tremor in my hands and have both severe osteo- and rheumatoid-arthritis in my hands. The companies that produce diamond painting kits market them tout the hobby as restorative, calming, soothing, allows one to let ones mind wander, and still end up with a beautiful product without any artistic talent required. It is being marketed as a type of "art therapy", much the way that adult coloring books were marketed a decade ago. Of course with adult coloring books, the individual got to choose which colors they would use to color in the designs - so that the end product was highly individualized and far more creative than diamond painting. 

Companies selling diamond painting kits describe them as being much like "paint by numbers" kits. However, while paint-by-numbers kits told one where to put which color, the application of the color with an actual paint brush required substantially more skill, and led to much more variation in the final product than diamond painting does. 

So where does "the demise of society" come into this? Let me start by making it clear that there is nothing inherently wrong with engaging in activities that are repetitive, soothing and calming. Running, walking, yoga, meditation, even routine household chores (I find washing dishes soothing and mindless), raking leaves, mowing the lawn, all can have those effects. Although not as repetitive, activities like singing and dancing can also relieve stress and anxiety. However, the fact that there seems to be an ever greater need for activities to reduce stress and anxiety is concerning, and indicative of serious underlying fault lines in our society.   The widening disparity between rich and not just the poor but the "middle class" is just one among many of those fault lines. The on-going commodification of life, where more and more things (education, water, health) have dollar signs attached to them, and become less available to those with low incomes, is a second fault line. The erosion of our environment, with massive shifts in climate is another. 

I'm not trying to trash the individual people who enjoy engaging in diamond painting, it looks like a pleasurable activity and its hard to fault individuals for liking it. However, on a societal scale it represents two disturbing trends: commodification and environmental destruction. It sucks most of the skill and creativity out of an activity, requires substantial expenditure of cash (kits can cost upwards of $75 for large more complex artwork), and dramatically contributes to the very serious problem of plastic pollution, especially pollution by tiny particles of plastic. I learned from one of the videos I watched than depending upon the company one might have to reject or throw away a significant percentage of the diamonds one gets because they are flawed in some way. Also, the storage of diamonds involves the use of plastic containers (from very small to quite large). Then there is the long term future of all the art work produced covered as it is with all these tiny plastic chips. None of these are heirloom products, they won't be sold, collected, put in museums or even cherished by younger generations. They will ultimately from a few months to a few decades, end up in the trash. At a time when our oceans are being overcome by micro-plastic pollution, that is ending up inside wildlife and even humans. 

Return to Zombie America

image from Umair Haque's article
on the American Collapse

Outstanding article "Why We are Underestimating American Collapse" by Umair Haque in Eudaimonia  looks at some of the human costs such as the epidemic of school shootings, the "opioid epidemic," the declining life expectancy of rural, white Americans.

This all fits in with what I've started calling  "zombie America." Zombies are variously referred to as the "undead" and the "walking dead," phrases that I think can be applied to American economy, politics and society at large. The nation is still lurching and weaving about, animated but no longer truly alive, dead (or dying) on the inside but because still animated, so that many observers still imagine it to have life.

Not like science fiction: the decline of America

 I began reading science fiction when I was nine, and it remains even today sixty-two years later still my favorite flavor of fiction, but science fiction has taught us all to expect the end of civilization to come abruptly, dramatically and unmistakably. This has made us collectively blind to the real world slow, drip-drip erosion of our society. 

A good example of what I'm talking about is the novel (and now HBO series) Station Eleven, a story of an apocalyptic pandemic and its aftermath. The novel published in 2014, shows the disease a deadly "flu" killing something like 90 percent of the people infected, and its impact in disrupting society occurs within days. People die in the streets, in their cars, everywhere all at once, and almost instantly modern society as we know it is gone.  Some time in the last month or so, I ran across someone (on Twitter or in an interview) using Station Eleven as the rubric against which our real world COVID pandemic should be marked as not very serious. I wish I'd written it down, saved the Tweet or bookmarked the interview because it epitomizes the way we've ingrained science fiction as the arbitrator of what is and what is not the end of the world.

Make no mistake about it, we are already in the midst of the fall and decline of the great American democratic, post-industrial society. It has been going on for some time now, at least two decades, but probably longer than that. Let me make it clear, I am NOT a MAGA, I am not talking about trying to recover some fake golden age of the past. I see as good and positive trends the exact things that MAGA people hate: increasing diversity, greater political, social and economic power for women and people of color, increasing openness to alternatives to rigid gender boundaries and the celebration of all kinds of sexual orientations. I applaud marriage equality and support the Black Lives Matter movement. 

However, even if the MAGA crowd is wrong about what ails our society and who or what is responsible, they are on to something when they express anxiety about the decline of America. Extreme inequality in wealth, political power, and social opportunities are fundamentally distorting and destroying our society. A very small class of people benefit hugely, others benefit slightly and the vast majority find themselves living on the edge with little voice and less influence. 

The COVID pandemic did not cause any of this, but it exacerbates all the existing problems, continues tiny piece by tiny piece to help tear away at the fabric of society. The pandemic which has killed less than one percent of our population has nonetheless shredded our health care system, scratches at our supply lines, and creates a huge new class of disabled persons, and is far from over in terms of its impacts, regardless of our intentions to just "live with it."